Album of the Week: Kendrick Lamar - "To Pimp a Butterfly"

Rating: 9.6/10

Thanks to a convenient Interscope snafu, Kendrick Lamar's hugely anticipated To Pimp a Butterfly has been released a week early. The hype surrounding this album has been massive, as Kendrick's 2012 debut good kid, m.A.A.d city was adored by everyone from casual hip-hop fans to hardcore indie purists, and all of those who fall somewhere in the middle. To Pimp a Butterfly is a colossal album, both literally and figuratively; it tackles issues of racial inequity bluntly and unapologetically over the course of the sixteen-track, seventy-nine-minute run time. If good kid showed that being a black youth in modern times is incredibly challenging, To Pimp a Butterfly proves that being a black adult, especially an ultra-famous one, isn't easy either.

Kendrick isn't holding back any of his thoughts, no matter how potentially revealing and/or controversial, on TPAB. He tackles everything from divisions within the black community ("Complexion") to classism ("Institutionalized") to his own insecurities about being a public figure ("Mortal Man") with energy and dexterity. The best moments on the record lyrically come on "u" and "The Blacker the Berry." On "u," which serves as a contrast to self-loving lead single "i," Kendrick runs through all of his self-doubts without a shred of guardedness or embarrassment, delivered through tears and the clinking of liquor bottles. "The Blacker the Berry" sees the L.A.-based rapper proudly proclaim himself as "the biggest hypocrite of 2015" for, among other things, "weep[ing] when Trayvon Martin was in the street" but not for the gang-related slayings that occur far too frequently.

In order to provide a background for him to elucidate the immense difficulties facing the black individual in today's society, Lamar fittingly looks to a period of music that provided black Americans one of tragically few opportunities to thrive in pre-civil rights America: jazz. Tracks like "For Free?" and "Institutionalized" use instrumentation that sounds ripped from a Miles Davis record, as opposed to your run-of-the-mill hip-hop digital sampling software. In order to pull off this unique approach, Kendrick employed a bevy of live musicals to perform on the album, achieving an organic and live feel not often found in hip-hop. Thundercat is the album's unsung hero, whose basslines dominate a number of tracks, opener "Wesley's Theory" not the least among them. A handful of guests step up to the microphone as well, most notably Snoop Dogg's verse on "Institutionalized" and Rapsody's spot on "Complexion (A Zulu Love)," and the influences of famed produced Flying Lotus is clear throughout the record.

After the September release of "i" as a single, I was frankly underwhelmed, and my expectations for Lamar's new project were tempered. But To Pimp a Butterfly delivers outstanding quality in just about every regard, from its lyrics to its music. Save one or two weak points ("Alright" is just barely that), Kendrick lived up to the unbelievable hype for this sophomore effort. In a year heavy with high-profile rap releases, including Drake's already-released If You're Reading This... and the (apparently) soon-to-come new Kanye West album, To Pimp a Butterfly will certainly be in the conversation for 2015's best albums.

Key tracks: "King Kunta," "u," "Complexion (A Zulu Love)," "The Blacker the Berry"

Album of the Week: Kanye West - "The College Dropout" (10th Anniversary)

Rating: 7.8/10

Kanye West. Just reading his name probably conjures up a strong image in your head. You may know him for his numerous critically-acclaimed albums, hit singles, and awards. Or, maybe you know him as an egotistical paparazzi favorite who stole Taylor Swift's thunder at the VMAs and claimed that "George Bush doesn't care about black people." Most likely, you know both sides of Kanye; his extreme self-confidence and inflated self-image are part of what drives his music, music that is highly regarded by hip-hop fans and critics alike. Ten years ago this past Monday, the world was first introduced to the crazy mind of Kanye when his debut album, The College Dropout, was released. Few could expect the various twists and turns that his career would take, whether it was the vocoder-laden 808s & Heartbreak or the harsh, audacious Yeezus, on which West could dub himself a deity in the not-so-subtly-titled "I Am a God." The College Dropout was our first taste of what West brought to the table, and it was clear from the start that he was destined for stardom.

The crowning moment of the album, the track that got everybody's attention and started to define West's place in the rap game, was the ominous, marching "Jesus Walks." Excellent use of sampling and superb production only enhance Kanye's poignant lyrics, which were uniquely religious for the time. By boldly embracing Christianity on the song, West took hip-hop to a place where it hadn't been in quite some time, as explained by the second verse; "So here go my single dog radio needs this/They said you can rap about anything except for Jesus/That means guns, sex, lies, videotape/But if I talk about God my record won't get played." It's also a monster of a song, with a booming choir and tricky snare roll backing Kanye.

The album, while tackling major themes, also displayed West's tongue-in-cheek sense of humor for the first time. Pretty much the entirety of "The New Workout Plan" is satirical, mocking society's pressure on women to always look their best. The record is littered with small skits in the form of dialogues, all of which are intended to provide comic relief. Some unintentional humor can be found in the now-dated pop culture references, such as West name-dropping Kathie Lee Gifford and Regis Philbin on the aforementioned "Jesus Walks."

Besides fair amounts deep philosophical ideas and funny lyrics, The College Dropout is also chock-full of some great tunes. "Through the Wire" has a great sample, and Kanye impresses with his rapping skills despite having recorded the track with his jaw wired shut after a near-fatal car accident, which is detailed in the song. On "All Falls Down," Syleena Johnson provides a classic early '00's R&B vocal, and hip-hop mogul Jay-Z shows up on "Never Let Me Down" to help West close shop on the track. Other big names contributing solid verses to the record include Common,  Jamie Foxx, and Ludacris.

The College Dropout is undoubtedly one of the top hip-hop albums of the 2000's, and holds its own when held up to the great releases of past decades, too. It remains Kanye's best-selling effort, debuting at #2 in the US  and going double platinum. To some, it may pale in comparison to West's newer works, specifically My Beautiful Dark Twisted Fantasy and Yeezus, but that doesn't make it any less of a great album. Not much could have been known about what the future held for Kanye West after hearing The College Dropout, but one thing was obvious from the get-go: this man was wildly talented, and far from finished.

Grammys Preview & Predictions

Tonight, the 56th annual Grammy awards will be held to look at back at the best in music of 2013. Or, to be more accurate, the best in music from October 2012 through September 2013, due to the September 30th cutoff date for albums to be considered for nomination. This stipulation means that some of the year's most celebrated releases, including Lorde's Heroine and Arcade Fire's Reflektor, won't be eligible until next year's Grammys. This is a pretty big flaw in a system that's already struggling, judging by the confusing nature of and general displeasure with what's been nominated. Today, I will be using the less-than-revolutionary format of "what will win" vs. "what should win" (with an added twist of "who wasn't nominated) to look at how several major categories may pan out this evening. Then, I'll be talking about performances and other parts of the show to look forward to. A list of all nominees & performers can be found here.Without further delay, here's this year's Grammy awards preview.

Album of the Year
The Blessed Unrest - Sara Bareilles
Good Kid, M.A.A.D City - Kendrick Lamar
The Heist - Macklemore & Ryan Lewis
Random Access Memories - Daft Punk
Red - Taylor Swift
Who should win:
Daft Punk's album was great. A cool fusion of dance, disco, electronic, funk, and pop, it produced some of the year's best singles in "Doin' It Right," "Lose Yourself to Dance," and of course the inescapable "Get Lucky." "Instant Crush" featured Strokes singer Julian Casablancas on vocals and rode a tasty groove, and "Contact" closed out the record in an epic, fiery blaze. Of these five, Daft Punk's album was the most enjoyable. I wouldn't mind if Kendrick won either; it was one of the best-received rap albums of this Grammy cycle, and it'd be nice for the Grammy awards to finally give a hip-hop artist Album of the Year honors for the first time since Outkast won in 2004 for Speakerboxxx/The Love Below.
Who will win:
Neither of those two. The Grammys are notorious for playing it safe in this category, as evidenced by past victories by  Herbie Hancock, Eric Clapton, and Christopher Cross over the likes of Kanye West, Amy Winehouse, U2, and Pink Floyd. Macklemore will probably take this, as the voters will think they're giving a hip-hop album some recognition when really The Heist is mostly full of pop songs. Swift has a chance, but I think the amount of time that's passed since the actual release of her record (October 22, 2012) will hurt her cause. If Bareilles wins, it'd shock everyone, as nobody expected her to be nominated at all.
Who wasn't nominated:
My favorite album of 2013, Reflektor, didn't come out in time to be considered for AotY honors. I honestly wouldn't have expected it to be nominated either, though their win for The Suburbs maybe left the door open for a repeat. One record I honestly expected to see, however, was Modern Vampires of the City. That album was superb; it was also pretty universal, as I have trouble imagining anybody who wouldn't be entertained by this record. I even though it had a shot at winning, but unfortunately its not an option. I also think Kanye's Yeezus should be nominated, if not for its merit as a unique rap album then simply for its boldness.